Reverbs that do not directly emulate the realism of physical spaces – such as the non-linear, reverse or gated effects of Renaissance Reverb, or mechanical reverbs like springs or plates – are often used to add a creative character to a sound. In general, room settings are better with shorter or smaller reverbs, halls and churches are better longer or larger spaces, and chambers usually fit somewhere in between just as they would be in real life. Reverbs that emulate the natural sound of real-world acoustic spaces, such as those available with Waves IR1 Convolution Reverb and its companion sample library, are the easiest to set up. Reverb Type: Natural Sound or Creative Effect?Įach type of reverb, natural or unnatural, will exhibit a unique characteristic that is important to consider when setting up a sound. Conversely, if you have a rhythmically busy part in a slower tempo song, you will have to shorten the reverb time to prevent the reverb from washing out the direct sound or the mix as a whole.ĥ. If you have a vocal performance with long, sustained notes in an up-tempo song, you will have enough space for a longer reverb. The exception to this rule of thumb has to do with the “pace” of the part in the context of the song. Slower tempos often allow for longer reverb times. The faster the tempo, the shorter the reverb time will have to be. Generally, reverb time for most instruments will be based on the tempo and pace of the part. The ER (“Early Reflections”) setting on the H-Reverb pluginĤ. Plugins like H-Reverb and Renaissance Reverb offer finely adjustable parameters for early reflections, which can greatly affect the perception of space. Using larger size settings for “heard” reverbs will add depth and power. Using a smaller size setting for “felt” reverbs will add immediacy and life to a sound. Next, adjust the size until you find the space that best fits the effect you are trying to achieve. Raise the level of your effect return track loud enough so that you can clearly hear the adjustments you are making. The best way to set the size of a space is to begin by adjusting the reverb’s mix control so that you only hear the early reflections. Their timing and frequency response send the necessary binaural cues that allow the listener to recognize a dimensional space. Early reflections are the first delays that come directly from the floor, ceiling and walls. The perception of size comes largely from the timing of early reflections as blended with the dry, unaffected signal. Size determines the boundaries of the space in which the reverb will exist. The first parameter to adjust when setting a reverb is size.
Cubase 4 reverb manual#
If you are not familiar with send and return configurations, consult your DAW’s manual for the specific steps. The ability to set and automate the send, as well as to set, automate and process the return signal independently provides a maximum of options for a small bit of extra time and effort. Inserting a reverb plugin directly to an audio track is the quickest way to add a reverb effect, but greatly limits your ability to process the source audio and reverb effect independently.įortunately, practically every DAW offers Sends and Auxiliary or Effect Tracks. In the end, it is the blend of these two approaches that is essential to effectively using reverb in a mix. In the following example, subtle room reverb (created with the H-Reverb plugin) is added four bars in. This is necessary to create separation between instruments and prevent your mix from flattening out when you hit your mix buss compressor. Reverbs that are felt: Short reverbs, for example those emulating small- to medium-sized rooms, will add clarity and realism to a sound without clouding the mix (unless you mix them very high). Generally, the types of reverbs fall into two primary categories: reverbs that are felt, also referred to as ‘dry’ reverbs, and reverbs that are heard, also sometimes called ‘wet’ reverbs.
Cubase 4 reverb how to#
This article will help you to understand the essential aspects of reverb and how to achieve great results no matter what style of music you are mixing.ĭeep within any professional mix you will easily find a dozen reverbs that are specifically tailored to individual instruments or groupings of instruments. Whatever style of music you’re mixing, reverb is a necessary component – whether you perceive it or not. Reverb is an essential part of every mix, from in-your-face punk tracks to the lush spatial effects of EDM. Learn when to choose different reverb types, whether to make your reverb dry or wet, how to set pre-delay and reverb time, the significance of density and damping – and, of course, why reverb size matters!
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